Dana Veera Sura Karna - old Telugu films. Hyderabad. February 2. Forget your history and you are doomed to repeat it' goes a cautionary note. Here is a series that serves as a reminder to that history - the talent, the hardwork and the toil that went into the making of its greatness, reminding the reader all the time, to not dust up the glorious past under the convenient carpet of the present. Dana Veera Sura Karna Prescribed in the state's high school syllabus, more than a decade ago, during the successive grades - 8th and 9th, was a little lesson about the tale of a boy - Casabianca - during the Battle of Nile, in one of the many French- English wars. This boy, son of the Admiral of a naval vessel, one day happens to visit his father on the ship, docked in the harbor, when the English forces suddenly attack it, and set it on fire. The father startled by this sudden attack rushes to his control room, but not before ordering his son, playing on the deck to stay as is on the deck, until he returns. Here's the real magic - the lesson prescribed for the 8th standard extols the virtues of the boy who stands his ground, amidst the rising fires that engulf him, and refuses to move from his position, simply because his father said so, ultimately burning up in the flames. It praises the boy for his steadfastness, his courage and above all his virtue, obeying his father's word down to the literal, even if it meant sacrificing his life, while also mentioning aspects of devotion and belief. Turn over the leaf and move to the 9th standard. This time the title of the lesson is . The lesson starts off posing a question of great incredulity - how can anyone with a sane mind, even if it is his father's command, take such an order so literally? Is it plain stupidity, or in this case shell- shocked muteness, when somebody just stands there and let himself go up in flames with no survival instinct to spur him? Daana Veera Soora Karna Telugu Movie scenes starring N. Rama Rao, Nandamuri Balakrishna and Nandamuri Harikrishna plays a lwad roles produced and directed by N. Music composed by Pendyala Nageswara Rao. Subscribe us http:// Like us on Facebook https://facebook. Stream Dana Veera Soora Karna Dialogue 01 Emantivi Emantivi NTR Old Classics by vams21 from desktop or your mobile device SoundCloud Charts Search Sign in or Create account Upload Settings and more SoundCloud uses cookies. By using our services. Dialogues And Songs Part 1 MP3 by from the album Daana Veera Soora Karna. Download Dialogues And Songs Part 1 on Gaana.com and listen offline DAANA VEERA SOORA KARNA Hindi English Tamil Telugu Punjabi Marathi Bengali Bhojpuri Kannada. The essay goes on to dissect the situations that led up to the tragic death of the boy and goes on to conclude that the boy is plain stupid and his apathy, even in matters relating to his own life and death, is unpardonable. The two essays in successive standards are the first introduction to the young and impressionable minds, the art of circumspection - the ability to look at the same situation in multiple angles and be able to draw different conclusions from it. Daana Veera Sura Karna On: Thursday, October 16, 2008 Download Links: PART1 PART2 PART3 By FREE TELUGU MOVIES DOWNLOAD . This comment has second part is not. Daana Veera Soora Karna is a 1977 Telugu Movie starring N. Rama Rao, Nandamuri Balakrishna and Nandamuri Harikrishna plays a lead roles produced and directed by N. Music composed by Pendyala Nageswara Rao. Subscribe us http://goo. Sr.NTR famous dilogue from Daana Veera Soora Karna Aacharyadevaa.! Sr.NTR famous dilogue from Daana Veera Soora Karna. Stefen Obama Funny Moments Creativity of a music. 10/21 - 10/28 (1) 10/14 - 10/21 (3) Trace any. Karna Songs free download, dvskarna, danaveerasurakarna dialogues free download, D.V.S. Karna telugu movie songs, Daana Veera Soora Karna songs. Interpretation of popular mythology, that runs contrary to the popular opinion, is always a tabboo in any culture. A society that is founded upon certain principles, which in turn are shaped by the lores and legends of the land, finds it unacceptable to question its own foundations and its own philosophies. Coming to our own telugu literature, M. Ranganayakamma went ahead with her . The objective of going against the grain goes beyond generating a knee- jerk visceral reaction, much more than playing for a shock value. It is to look at the same set of events from a different perspective and announce to the world the findings. If Lord Rama, at the end of the exile period, asking Sita to take a chastitiy test and Sita proving her innocence in the trial by fire, can be taken as testament to Sita's strong sense of conviction and devotion, it could be equally interpreted as Rama's shocking lack of trust on his own wife. Taking the argument a step further, what if Sita posed the same question to Rama and asked him to prove his chastity? Under a different set of not so benign lights, different facets start to surface, each completely valid and each equally important. Though this kind of serious dissection of revered works is common in both print and celluloid media in the Western world, the same cannot be said about its Indian counterparts (in particular, telugu). As the first and only one of its kind (among the ones that succeeded, at least), . His choices (NTR's) neither sound pompous (aabhijaatyamu) nor come across egotistical (ahamkaaramu). His was a sincere attempt at understanding the machinations and the motivations of a beleagured crown prince who got the short end of the stick right from his start. In his quest to explore the character of Duryodhana even more, NTR summons the services of the brutally honest and maddeningly logical pen of 'kon. Davee. Ti venka. Ta kavi', whose strokes spared none, including the Almighty (. Together, NTR and Venkata Kavi, chiselled to the core of Suyodhana's character and started viewing the famed mythology through his lens. Consider the classic scene of . Yudhishtira has just bet and lost everything, including his brothers and wife, as Suyodhana proudly gets up and orders the court- keeper to drag Draupadi into the court, when suddenly all the wise talking heads raise objections to his action. And Duryodhana starts ? Same goes during the . The uncompromising nature of logic is such that there is no clear cut winner, particularly when it comes to subjective assertions and morality standpoints. Compare the scenario with another traditional view dealing with the assassination of Mahatma Gandhi by Godse. Was Godse a traitor or a patriot? No easy answers, only troubling questions). The courage of standing up to the status quo is what that defines and differentiates true artists from the rest. No amount of words can do enough justice to NTR's portrayal of the characters, particularly Suyodhana's, from chaste diction (of dialogues that run amuck over reams and reams of pure Sanskrit complex, compound, convoluted concoctions), down to the proud demeanor (even in the dying amounts). Comparitively, the rest of the characters have little to say or do, as NTR single- handedly shepherds the entire movie carefully to its conclusion. Sharing the credit with NTR and Venkata Kavi, is the inimitable pen of C. Narayana Reddy who took up the unenviable job of penning a even duet for Duryodhana (. There is a famous quote that goes along the lines of . Though the impact of art cannot be as earth shattering, it certainly is necessary to raise troublesome questions than hide behind convenient answers. Other prominent series written by Srinivas Kanchichotla. Dana Veera Sura Karna (Original Motion Picture Soundtrack).
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